The Ronin 3-Axis Brushless Gimbal Stabilizer is a camera stabilization system designed to give the operator close to the freedom of unencumbered handheld shooting but without the hand-shake. Suitable for most camera types and configurations up to 16 pounds, Ronin uses brushless motors that work on three axes: one for side-to-side "roll" - keeping the horizon level - one for tilt, and one for pan. The system is computer-controlled and boasts a precision of control of ±0.02°. An IMU (inertial measurement movement) detects movement and engages the motors to react, using algorithms to differentiate between intentional movement such as pans and tracking shots from unwanted shake. In addition to handheld shooting, the gimbal can be used in vehicle mounting scenarios and other contexts where vibrations or other abrupt movements would make tripods and rigid camera support systems unsuitable.
Arri Softbank I Tungsten 4 Light Kit (120V AC)
This ARRI Softbank 1 Tungsten 4 Lighting Kit includes barndoors, filter frames scrims, a softbox, light stands, bulbs, accessory kit, and a heavy duty wheeled case.
The ARRI 300W Plus Fresnel is designed to gather as much light as possible and direct it through the 3.2" (81.2 mm) low expansion, borosilicate Fresnel lens producing a soft, even field of light. The beam spread is 15 - 55°. The 650W Fresnel features the same lens, reflector, housing and power cord as the 300W Fresnel. The beam angle in the flood position is 54°, and a narrow 13° in the spot position.
The URSA 4K Digital Cinema Camera features a form factor that is designed to make it flexible enough to use on productions of all sizes. From a single operator all the way up to a full camera crew. At the heart of the imaging system, URSA features a 3840 x 2160 resolution, global shutter CMOS sensor with 12 stops of dynamic range. The camera records and outputs in the 2160p format, a 16:9 standard with precisely four times the resolution of 1080p, often referred to as UltraHD.
Internally, URSA can record in the two formats. The first is 12-bit CinemaDNG RAW, a losslessly compressed RAW codec designed to give you the greatest latitude for image manipulation in post production. The second is Apple Pro Res 422 (HQ), a debayered codec for easier playback and editing in a wide range of video editing applications. Additionally, ProRes also requires less storage space for extended recording times. Video is recorded to CFast 2.0 memory cards, and the camera features two slots allowing you to hot swap media for continuous, uninterrupted recording.
The Nikon D810 DSLR Camera takes its place as the high resolution option in the Nikon DSLR lineup. It features a 36.3MP FX-format CMOS sensor without an Optical Low Pass Filter for extremely sharp and detailed still imaging. With the addition of the EXPEED 4 Image Processor, performance speed is increased compared to the EXPEED 3 and noise is effectively reduced throughout the ISO range. Continuous shooting speed in FX format is 5 fps and in DX format hits a maximum of 7 fps. In addition, the full HD video capabilities of the D810 have been upgraded to include 1080p capture at 24, 30 and 60 fps. Also, the improved efficiency of the processor enables up to 1200 shots on one battery charge and 40 minutes of video recording. Low light performance has been upgraded thanks to a wide native ISO sensitivity range that runs from 64 to 12,800 and can be expanded from 32 to 51,200.
Considering the needs of filmmakers, Proaim has designed an incredible Jib Camera Crane with unbeatable high-end quality and superb technical specifications. This Camera Crane allows you to produce awe-inspired footage from a variety of angles via its huge set of features. The motorized Pan Tilt Head is able to perform a 360 degree endless tilting movement and a 360 degree panning movement with reversal point.
Canon EOS C500 4K Cinema EOS Camcorder Body (EF Lens Mount)
The Canon EOS C500 capitalizes on the groundbreaking ergonomic design of the EOS C300 camera, and offers a new Super 35mm, 8.85-megapixel CMOS image sensor, DIGIC DV III Image Processor and an expansive range of recording and output options specifically for 4K and 2K image acquisition. Addressing the discrete needs of cinema and TV, the EOS C500 offers two forms of 4K origination -productions can dynamically select DCI (SMPTE 2048-1:2011 standard) or the alternative television-centric Quad-HD (SMPTE 2036-1:2009 and ITU-R BT.1769 standards) source image formats - and output a selection of 4K, 2K and HD digital sampling formats.
Canon EF 40mm f/2.8 STM Pancake Lens
The Canon EF 40mm f/2.8 STM Lens is a unique addition to Canon's series of EF lenses. Inconspicuous and incredibly compact in size due to its ultra-slim and lightweight design the EF 40mm f/2.8 STM delivers high image quality from the center to the periphery thanks to its advanced lens configuration which includes an aspherical element, a bright 2.8 aperture and optimized coatings that minimize ghosting and flare while providing exceptional color balance. It also features a stepping motor for silent continuous focus for both still and video shooting.
On an APS-C Sensor, this lens offers a view similar to a 64mm in 35mm format.
Canon EOS 7D Mark II
Designed with a penchant for speed, the EOS 7D Mark II DSLR Camera is characterized by its APS-C-sized 20.2MP CMOS sensor, dual DIGIC 6 image processors, and a top continuous shooting rate of 10 fps. Both a 65-point all cross-type phase-detection AF system and Dual Pixel CMOS AF technology benefit fast, accurate focusing performance for both optical viewfinder and live view shooting. Additionally, the combination of the dual image processors along with the CMOS sensor also contribute to enhanced low-light sensitivity to a native ISO 16000, which is further expandable to ISO 51200.
Full HD 1080p video is available, in multiple frame rates up to 60 fps. Uncompressed video can also be recorded to optional external recorders via an HDMI connection. Custom Movie Servo AF, which is aided by the Dual Pixel CMOS AF system, serves to highlight movie recording abilities by enabling controllable speed and sensitivity settings for continuous focusing with moving subjects.
With the ability to capture 4K at 30 fps (4K30), the GoPro HERO4 Black (Adventure Edition) allows you to move beyond HD when capturing POV style footage either wearing the camera or mounting it in a number of creative ways. For remote monitoring and operation, the camera is equipped with Wi-Fi and Bluetooth connectivity letting you pair it with a mobile device or the separately available Smart Remote. There is also a USB port for file transfer, charging, or to connect the included 3.5mm mic adapter. In addition to the bundled flat and adhesive mounts, the camera is also adaptable to a wide range of separately available mounts from GoPro and third-parties to accommodate just about any scenario imaginable
The redesigned processor is twice as fast as the one in the HERO3+ Black Edition. This enables 4K30 recording as well as 2.7K recording at up to 120 fps, and 1080p slow-motion recording at 120 fps
The D750 DSLR is an FX-format camera well-suited to both still imaging and video recording. Featuring a 24.3MP CMOS sensor, along with the EXPEED 4 image processor, this camera is capable of producing high-resolution imagery with smooth color gradations, low noise, and sensitivity to an expandable ISO 51200, at a continuous shooting rate of up to 6.5 fps.
Full HD 1080p/60 is supported, along with the ability to record uncompressed video to an optional external recorder. Working from high and low angles is possible due to the tilting 3.2" 1,229k-dot LCD monitor or, for remote shooting, the D750 also features built-in Wi-Fi connectivity.